English version Here (This will not show in the page)
Artists: Tap Chan, Thea Djordjadze, Jason Dodge, Eisa Jocson, and Pratchaya Phinthong
Drafted by Xue Tan
Set in the historic F Hall—a former printing facility and women’s prison—this exhibition of five artists circles around the expansion of limits and constraints, working through how they could serve as an artistic framework rather than as objects of antagonism. In the metaphorical shape of a body, the exhibition is alive from the first hour to the last. Experimenting with concepts of “sculpture”, the artworks are ways of exploring our multifaceted facts and ecologies, spanning lived-through stories and realised imaginations.
Within the body of this exhibition, no walls or fixtures are added; this is one of the principal premises. The artworks rely on each other and yet are autonomous on their own. The exhibition comes alive when visitors flow in, when dancers activate moments with routines and off-track improvisations, practising to perfection until the very last hour, holding it in place.
Sculptures and narratives cohabit the space with songs, moving bodies, and an escape route. The exhibition is carefully conceived as an experience close to a tightrope walk through lines of limits, divisions, and connections—unveiling ways to tie our worlds together.
More on "My Body Holds Its Shape" https://www.taikwun.hk/virtual-tour/my-body-holds-its-shape/
中文版本在此編輯 （這不會顯示在頁面上）
藝術家：陳沁昕 、Thea Djordjadze、Jason Dodge、Eisa Jocson、Pratchaya Phinthong
譚雪策劃
「承受著自身的姿態」 發生於大館的歷史建築F獄。是次五位藝術家的展覽，圍繞著限制和束縛的意義，試圖拓寬或打破它們，使之成為藝術創作的材料而不是令人厭惡的框架。以「身體」為喻，展覽空間由第一個小時獲得生命，直至尾聲。這些藝術品實驗「雕塑」的概念，探索不同的生態和事實，「活出」了種種親身經歷過的故事，亦把想像力兌現。
在這個展覽的「身體」之中，沒有新造的牆壁或結構，是為是次展覽的關鍵前提：藝術品互相依存，但也有自主性。當觀眾踏進展廳，展覽便被賦予能量，舞者們有規律或即興地不斷練習，直至完美，直至最後一個小時，維持著作品的生命力。
在這空間內，除了雕塑和故事外，還有歌曲、移動的身體，甚至包括一條逃生路線。展覽構想於鋼絲行走，在各種界限、分隔和聯繫之間，尋找微妙的平衡，力圖令各種不同的世界重新聚合。
更多關於·「承受著自身的姿態」：https://www.taikwun.hk/virtual-tour/my-body-holds-its-shape/
