English version Here (This will not show in the page)
The Jockey Club ICH+ Innovative Heritage Education Programme is jointly launched by Lingnan University and Hong Kong Art School. It begins with courses of Paper Crafting technique, Cheongsam sewing technique, as well as PaperCutting technique with aims to revitalize Intangible Cultural Heritage of Hong Kong and cultivate in-depth knowledge of youth through experiential learning.⠀
Paper Cutting Technique
"Yin" and "Yang" are the two major types of Chinese paper cutting techniques, where "yin" indicates the technique of highlighting the contours of each pattern, whereas "yang" refers to the technique of keeping all the pattern outlines as if in engraving. Ever since the 1950s, paper cutting cooperatives had been established in China to produce and export paper cutting works.
Cheongsam Sewing Technique
Cheongsam, also known as qipao, has been a popular type of robe among Chinese women since 1920s. This robe looks similar to the robe (pronounce “sam” in Cantonese ) worn by female in the Canton area, but a bit longer in length - that is why Hong Kong people would call it “cheongsam”, which means “long robe” literally in Cantonese. The word “cheongsam” used to refer to both men’s and women’s wear. The Cantonese Romanisation of the long robe “cheongsam” was added to Oxford English Dictionary in the 1950s, that specifically referred to this type of robe worn by women.
Paper Crafting Technique
Paper craft products are shaped with solid bamboo, strips of bamboo and rice paper, in addition to silk fabric. After the three-dimensional skeleton is formed, its body gets painted and assembled. The four major steps in paper crafting include binding, paper-mounting, painting and adorning. The skeleton of the model is being first created. After rice paper strips are applied onto the skeleton, patterns and protective paint are being applied before felt decorations are added as a final touch.
中文版本在此編輯 （這不會顯示在頁面上）
嶺南大學與香港藝術學院自去年起合辦「賽馬會『傳‧創』非遺教育計劃」，首屆以紮作技藝、長衫製作技藝及剪紙技藝為重點課程，透過體驗式學習，把當代藝術融入傳統工藝當中，活化香港非物質文化遺產藝術及加深香港青少年對本地非遺的了解。計劃首屆周年展覽 將於27/6至7/7假荃灣三棟屋博物館舉行，屆時將會展示逾百學生之創作成果，與觀眾一同窺探新生代對傳統工藝的創新註釋。
剪紙技藝
傳統剪紙主要以「陰剪」和「陽剪」為技。早在1950年代，中國各地亦發展不同「剪紙合作社」，以生產及外銷剪紙製品。
長衫製作技藝
長衫，又稱旗袍，為上世紀二十年代以後流行的一種中國女性袍服。這種袍服頗像廣東女性慣穿的「衫」，由於長度較長，所以香港以及廣東一帶的居民稱為 「長衫 」。最初這名詞通指男女裝，不過在英文含意上，Cheongsam(長衫的廣東音英譯)專指女裝，早於1950年代收錄在《牛津英語字典》中。
紮作技藝
紙紮製成品是由竹、竹篾、紗紙及絹布等物料紮成的立體結構，後經上色和組裝而成。傳統紮作工藝需經「紮」、「撲」、「寫」、「裝」四個重要工序。傳统師傅工藝大師先紮出骨架，並將紗紙分成小塊鋪於骨架上，完成後在模型上畫寫花紋，外塗一層保護漆光油，待風乾後，再裝上絨球等裝飾。
